Opening Reception: Saturday, February 9th from 2–4 pm
Curated by Neven Lochhead and presented in partnership with SAW Video Media Art Centre, Ottawa. Featuring work by naakita feldman-kiss, Ivanie Aubin-Malo, Henry Andersen, Mara Eagle, Phil Rose, Molly Teitelbaum, Anna Queen, and The Video in the Public Sphere Working Group.
In partnership with SAW Video Media Art Centre (Ottawa), Critical Distance is pleased to present Public Syntax, an exhibition that highlights the distinct time-based practices and approaches of seven artists, as well as those participating in the Video in the Public Sphere Working Group, the majority of whom are either Ottawa-based or connected. Situated in-gallery at Critical Distance and across multiple public spaces at Artscape Youngplace, the works in the exhibition embody and expand upon the recent and ongoing programming initiatives of SAW Video and their Knot Project Space, launched in early 2018.
Curated by Noa Bronstein and presented in partnership with the Koffler Gallery, Through Lines brings together the works of seven artists that challenge notions of redaction, tackling its typical devices of shredding, blacking out, editing and covering up. Lise Beaudry, Scott Benesiinaabandan, Michèle Pearson Clarke, Leila Fatemi, Maria Hupfield, Raafia Jessa, and Nadia Myre create works that engage a restorative gesture, speaking to the ways in which history and memory are conceptualized within a contemporary context. Continue reading
Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability. Continue reading
In partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones, Critical Distance is pleased to present FORWARD FACING, a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival. Curated by Cass Gardiner (Toronto/Brooklyn), FORWARD FACING is an exhibition that examines intersectionality within Indigenous identity through the photographic, video, craft, and installation practices of Dayna Danger (Montreal), Lacie Burning (Vancouver), and Jade Nasogaluak Carpenter (Calgary).
Opening Weekend Events
Saturday, April 21 from 2-4 pm
FORWARD FACING Reception with Curator’s Talk
Please join us in the gallery (Suite 302 at Artscape Youngplace) for a very special reception with Toronto/Brooklyn-based curator Cass Gardiner, featuring a tour of the exhibition followed by beverages and bites courtesy of Pow Wow Cafe. Stay for artists’ performance at 5 pm.
Saturday, April 21 starting at 5 pm
Performance featuring DAYNA DANGER, LACIE BURNING, and KANDACE PRICE
Three collaborators negotiate time, boundaries, and songs. Starting location to be announced at the opening.
Sunday, April 22 from 2-4 pm
Bike Tube Flogger-Making Workshop with DAYNA DANGER
Make your own mini flogger from rubber bike tubes in this PWYC hands-on workshop with Dayna Danger. Materials will be provided. Space is limited so please contact us at rsvp (at) criticaldistance (dot) ca to inquire/register. Location to be confirmed upon registration.
WE LOOK AT ANIMALS BECAUSE
January 25–March 25, 2018
Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman | Curated by Toleen Touq and Nahed Mansour
In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals.
Critical Distance is pleased to announce the selected artwork for the Spring 2017 Billboard on Shaw, a partnership with Artscape Youngplace through which we are providing opportunities for curators and artists to present large format printed artworks for the freestanding mural/billboard outside our building on Shaw Street.
Mountainburger is an 8-foot image by Kitchener-based artist Aislinn Thomas to be unveiled this week in conjunction with our opening for Signals & Sentiments. (Note above image is placeholder. We will update this post with the actual image and a description after April 27th).
In partnership with Artscape Youngplace, Critical Distance is pleased to issue this call for submissions for the 3rd in our series of Billboards on Shaw, an initiative through which we are providing opportunities for curators and artists to propose site-responsive, large-format, print-ready public artworks for the freestanding mural/billboard on our building’s front lawn.
Critical Distance is pleased to present the second artist’s project in our newest initiative, the Billboard on Shaw, through which we are providing opportunities, in partnership with Artscape Youngplace, for curators and artists to propose large format printed artworks for the freestanding mural/billboard outside our building on Shaw Street.
Lost in Shape is an 8-foot image by Toronto and Tel Aviv-based artist Ruth Adler to be unveiled the week of January 18 (note above image is placeholder — see the exhibition page for the actual image). As she poignantly states,
Critical Distance is pleased to present our newest project, Billboards on Shaw (formerly 8×8 at AYP), through which we are providing opportunities, in partnership with Artscape Youngplace, for curators and artists to propose large format printed artworks for the freestanding mural/billboard outside our building on Shaw Street.
Come to My Window is an 8-foot image by Toronto-based multidisciplinary artist Steven Beckly. As project curator Matthew Kyba writes, Continue reading