Co-Presentations

Billboard on Shaw: Jorian Charlton

March 8 - April 21, 2020

Billboard on Shaw presented by Gallery TPW in partnership with Critical Distance, featuring Untitled (Angaer) by Jorian Charlton, 2020.

The individuals in Jorian Charlton’s photographs become stand-ins for everyday Black folks, whose beauty and culture often lack recognition and representation as they are. Taking cues from fashion photography, Charlton’s way of working emphasizes her sitter’s active role in being photographed.

Here, Charlton carefully captures the movement in her muse’s hair, distilling a sense of freedom and agency. She is unbound by the static nature of the frame.

Curated by Emilie Croning, Wedge Curatorial Projects

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Galeries Ontario / Ontario Galleries: Professional Development Workshop Series

January 28, 2021

Join Galeries Ontario / Ontario Galleries for upcoming online workshops, where senior, mid-career, and emerging professionals will gain professional knowledge, skills and practices in the public art gallery and museum sector.

Emily Cook, Critical Distance’s Education & Accessibility Programs Director, will be joining the panel of presenters for the first workshop in the series, Collections and Accessibility.

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Billboard on Shaw: Kablusiak | Piliutiyara

November 24, 2020

Billboard on Shaw presented by Gallery TPW in partnership with Critical Distance, featuring Piliutiyara by Kablusiak.

This billboard is presented in the context of Gallery TPW’s ongoing project MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, and organized actions that provoke vital, unsettling change.

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Billboard on Shaw: Zinnia Naqvi | The Border Guards Were Friendly

August 20, 2020

Billboard on Shaw presented by Gallery TPW in partnership with Critical Distance, featuring The Border Guards Were Friendly by Zinnia Naqvi, 2020.

This billboard is presented in the context of Gallery TPW’s ongoing project MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, and organized actions that provoke vital, unsettling change.

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woman standing in front of a big wooden door, she is wearing a black suit and holding a chicken. there's a cleaver knife on the ground next to her

Pine Street: Charlotte Zhang

April 14, 2020

Online Launch: April 14, 2020 | 6:00PM EST

Critical Distance is pleased to co-present Charlotte Zhang’s Pine Street in partnership with the 2020 Images Festival and Centre A.

Pine Street, Now and Again (2019) is a looping two-channel video installation by Nanaimo-raised and Los Angeles-based artist Charlotte Zhang. Commissioned by the Nanaimo Art Gallery for the group exhibition Estuary, the film is composed of sequences conceived in collaboration with former Chinatown residents and people who are connected to them. For this installation, Zhang was thinking about the parallel structure of conversation and “the ways in which we build and dismantle Chinatown over and over again through conversing.”

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Ocean Archive: CDCC in exchange with TBA21-Academy (Vienna)

September 28 - 29, 2019

CDCC, TORONTO x TBA21-ACADEMY, VIENNA at OCEAN SPACE, VENICE

SATURDAY, SEPTEMBER 28, 2019 from 11am—5pm EST

Critical Distance Centre for Curators is pleased to participate in an international exchange with TBA21-Academy in response to the release of the IPCC Special Report on the Oceans and Cryosphere in a Changing Climate (SROCC). Scheduled to be published on September 28th, the report and proceedings with be presented at the Climate Justice for a Living Ocean at Ocean Space in Venice as part of Phenomenal Ocean, a convening to be led by Chus Martinez, Director of Institut Kunst in Basel.

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ACCESS IS LOVE and LOVE IS COMPLICATED

Opening October 3, 2019

image: Vanessa Dion Fletcher,Quillwork in twenty-nine Parts, porcupine quill embroidery on paper, 6 x 9 inches. The quills are folded back and forth making a zigzag pattern and the design is raised off of soft paper. The colours of the embroidery are warm reds pinks and browns.


ACCESS IS LOVE and LOVE IS COMPLICATED
Co-curated by Emily Cook and Sean Lee
and presented in partnership with Tangled Art+Disability

Opening October 3rd from 6–9 pm / On view October 3–December 8, 2019

CRITICAL DISTANCE and TANGLED ART+DISABILITY are pleased to present ACCESS IS LOVE and LOVE IS COMPLICATED, an exhibition and event series featuring Vanessa Dion Fletcher, Kat Germain, Wy Joung Kou, Dolleen Tisawii’ashii Manning, Andy Slater, Aislinn Thomas, and Adam Wolfond and Estée Klar. This program is co-curated by CDCC Education and Accessibility Coordinator, Emily Cook, and Tangled Art + Disability Director of Programming, Sean Lee and represents the next level in our ongoing series of programs providing opportunities for curators and artists to consider new and more collaborative aesthetic and conceptual approaches to accessibility within and beyond the gallery context.

ACCESS IS LOVE and LOVE IS COMPLICATED takes inspiration not only from disability activist Mia Mingus’ idea that accessibility should be understood as an act of love, but riffs on a pop cultural understanding that love is complicated—and thus, if we truly wish to move towards an accessible future then we must embrace the frictions of it. A lived experience that is often as political as it is relational, disability is a springboard from which access is entangled in the political alterities of our bodies; how they move, navigate and shape the world.

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Billboard on Shaw: Pejvak | The Bell at the End of Time

Summer 2019

Billboard on Shaw co-presented in partnership with C Magazine, featuring The Bell at the End of Time (detail), by PEJVAK (Rouzbeh Akhbari and Felix Kalmenson), 2019.

“We came across the following documents during our research residency in Tbilisi at Georgia’s State Silk Museum in March 2019. Reviewing the extensive archives maintained by the museum’s library, in preparation for our upcoming film on the Silk Road, we were captivated by a series of notes and illustrations that felt oddly out of place in the collection. These documents stood out from the rest of the archives not only because of their seemingly disconnected subject matter but also because of their disparate sorting logic and clandestine placement amongst various expedition reports and personal notes written by Nikolay Shavrov, a Russian biologist and the founder and first director of Tbilisi’s Sericultural Station. At first glance, these records appeared to be little more than incidental entries or misplaced files, but soon, with the help of Darejan Demetrashvili, the librarian, and Mariam Shergelashvili, our research coordinator, we uncovered a series of interconnected narratives concerning a monumental intervention in the environs of Mount Ararat in modern-day Turkey.”

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PRESSING THE ISSUE pt.2: Critical Arts Publishing in Canada Continued

August 9, 2019

Join us AUGUST 9, 2019, starting at 7pm at Small World Music Centre, Suite 101 of Artscape Youngplace; reception to follow in gallery at Critical Distance, Suite 302.

We are excited to continue the conversation on the state of independent critical arts publishing across Canada with a panel involving Anthea Black and Jessica Lynn Whitbread from The HIV Howler, Adrienne Crossman from Off Centre, Lauren Lavery from Peripheral Review, and Niki Little from imagineNATIVE Film + Media Arts Festival, moderated by Maxine Proctor. Continue reading