Co-Presentations

Nicole Kelly Westman: a slight space amidst

April 11–20, 2019

Curated by Steffanie Ling
An Off Screen presentation of the 2019 Images Festival

On view: April 11–20, 2019 | Opening reception: April 10th, 6 pm | Artist talk: April 14th, 1:30 pm

Critical Distance is pleased to co-present Nicole Kelly Westman: a slight space amidst in partnership with the 2019 Images Festival. a slight space amidst is a video installation that exists in the threshold between a screening and an exhibition. A secluded space just beyond sheer partitions, you determine the duration of your viewing as the film loops. Capturing arrested light and moments that meld and mesh, the film echoes the wavering movements proposed by the installation’s materiality: sheer silk curtains that partition here and there, before and after, daylight and nocturne.

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AMANDA BEECH: Constructing Time | Talk + Screening

April 1, 2019

Critical Distance Centre for Curators and SAW Video Media Art Centre, in partnership with Equitable Bank and Pleasure Dome, are pleased to present an artist talk and screening followed by a celebratory reception with LA-based artist, writer, and Dean of Critical Studies at CalArts, Amanda Beech.

Beech has presented her work at major international venues including Tate Britain, The Baltic Centre for Contemporary Art, and Remai Modern. For her talk, she will speak on the main themes that have mobilized her practice, focusing on how the relation between art and power is constructed in the choreographing of time.

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Billboard on Shaw: Ivanie Aubin-Malo | Oposiyik

February 7-March 31, 2019

Billboard on Shaw curated by Neven Lochhead with the exhibition Public Syntax, presented in partnership with SAW Video, featuring Oposiyik [Performance Continuation] (2019) by Ivanie Aubin-Malo.

Public Syntax is an exhibition that highlights the distinct time-based practices and approaches of seven artists, as well as those participating in the Video in the Public Sphere Working Group.

Responding to Critical Distance’s mandate to advance curatorial inquiry and encourage collaborative frameworks, exhibition curator Neven Lochhead employs a conversational mode to form ‘syntactical’ relations between these various practices, identifying collective editing processes where the ‘sequence’ becomes a vector on which to group together. In the gallery and public spaces, artists in this exhibition generate affinities not through the question of ​where will we meet,​ but rather ​when will we occur?

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Performance documentation (still), Ivanie Aubin-Malo in response to work by naakita feldman-kiss at SAW Video (Ottawa), 2018.

PUBLIC SYNTAX: SAW Video at CRITICAL DISTANCE

February 7-March 31, 2019

Opening Reception: Saturday, February 9th from 2–4 pm

Curated by Neven Lochhead and presented in partnership with SAW Video Media Art Centre, Ottawa. Featuring work by naakita feldman-kiss, Ivanie Aubin-Malo, Henry Andersen, Mara Eagle, Phil Rose, Molly Teitelbaum, Anna Queen, and The Video in the Public Sphere Working Group.

In partnership with SAW Video Media Art Centre (Ottawa), Critical Distance is pleased to present ​Public Syntax, ​an exhibition that highlights the distinct time-based practices and approaches of seven artists, as well as those participating in the Video in the Public Sphere Working Group, the majority of whom are either Ottawa-based or connected. Situated in-gallery at Critical Distance and across multiple public spaces at Artscape Youngplace, the works in the exhibition embody and expand upon the recent and ongoing programming initiatives of SAW Video and their Knot Project Space​, ​launched in early 2018​.​

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THROUGH LINES

September 13–November 25, 2018

Featuring LISE BEAUDRY, SCOTT BENESIINAABANDAN, MICHELE PEARSON CLARKE, LEILA FATEMI, MARIA HUPFIELD, RAAFIA JESSA, and NADIA MYRE
Curated by NOA BRONSTEIN

Opening Reception: Thursday, September 13, 2018 from 7–9 pm

Presented in partnership with the Koffler Gallery, Through lines is an exhibition that brings together works of seven artists that challenge notions of redaction, tackling its typical devices of shredding, blacking out, editing, and covering up.  Continue reading

FORWARD FACING

April 21–June 3, 2018

Featuring Lacie Burning, Jade Nasogaluak Carpenter and Dayna Danger | Curated by Cass Gardiner and presented in partnership with Aboriginal Curatorial Collective

In partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones, Critical Distance is pleased to present FORWARD FACING, a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival. Curated by Cass Gardiner (Toronto/Brooklyn), Forward Facing is an exhibition that examines intersectionality within Indigenous identity through the photographic, video, craft, and installation practices of Dayna Danger (Montreal), Lacie Burning (Vancouver), and Jade Nasogaluak Carpenter (Calgary). Continue reading

Dayna Danger, Kandace (Billboard), 2018, digital print on adhesive vinyl, 8 x 8 feet, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

Billboard on Shaw: Dayna Danger | Kandace

April 21–June 3, 2018

Billboard on Shaw curated by Cass Gardiner with the exhibition Forward Facing, presented in partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones and featuring Kandace by Dayna Danger.

In partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones, Critical Distance is pleased to present Forward Facing, a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival. Curated by Cass GardinerForward Facing is an exhibition that examines intersectionality within Indigenous identity. Continue reading

WE LOOK AT ANIMALS BECAUSE

January 25–March 25, 2018

Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman | Curated by Toleen Touq and Nahed Mansour

In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals. Continue reading