Event Series+Screenings

Case Study: El Alto

February 22, 2021

Monday, February 22 | 1pm

Case Study: El Alto
Conversation with Maria del Carmen Camarena, Eliza Chandler, Saada El-Akhrass, Vanessa Dion Fletcher, Sean Lee, and Beatriz Miranda, moderated by Aidan Moesby

FREE Event – Click HERE to register.

This event will take place on Zoom, and have ASL and captioning. Images will be described and presenters will describe themselves. If you have any other access requests or questions please contact emily@criticaldistance.ca.

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Galeries Ontario / Ontario Galleries: Professional Development Workshop Series

January 28, 2021

Join Galeries Ontario / Ontario Galleries for upcoming online workshops, where senior, mid-career, and emerging professionals will gain professional knowledge, skills and practices in the public art gallery and museum sector.

Emily Cook, Critical Distance’s Education & Accessibility Programs Director, will be joining the panel of presenters for the first workshop in the series, Collections and Accessibility.

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Public Displays of Affection

September 28–ongoing

Critical Distance is excited to announce Public Displays of Affection (PDA), a new ongoing programming initiative exploring creative possibilities in accessible arts publishing. PDA will work within disability arts communities and beyond, building on Kelly Fritsch’s notion that “to crip is to open up with desire to the ways that disability disrupts.” Over the next several months, PDA will produce a collective learning opportunity that considers the pleasures, desires, and disruptions of making arts publishing initiatives more accessible.

Continuing from our Fall 2019 exhibition Access is Love and Love is Complicated (co-curated by Emily Cook and Sean Lee), we will host conversations, workshops, and case studies on topics such as audio description, plain language, digital platforms, ASL translation, access intimacy and others. Just as the title of Access is Love, and Love is Complicated directly cited disability activist Mia Mingus’ writing on understanding accessibility as an act of love, PDA will continue the conversation, asking: How can crip desire push at the boundaries of how we design, write, and distribute exhibition catalogues and other arts publications? How can we welcome new forms of affection? 

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Ocean Archive: CDCC in exchange with TBA21-Academy (Vienna)

September 28 - 29, 2019

CDCC, TORONTO x TBA21-ACADEMY, VIENNA at OCEAN SPACE, VENICE

SATURDAY, SEPTEMBER 28, 2019 from 11am—5pm EST

Critical Distance Centre for Curators is pleased to participate in an international exchange with TBA21-Academy in response to the release of the IPCC Special Report on the Oceans and Cryosphere in a Changing Climate (SROCC). Scheduled to be published on September 28th, the report and proceedings with be presented at the Climate Justice for a Living Ocean at Ocean Space in Venice as part of Phenomenal Ocean, a convening to be led by Chus Martinez, Director of Institut Kunst in Basel.

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ACCESS IS LOVE and LOVE IS COMPLICATED

Opening October 3, 2019

image: Vanessa Dion Fletcher,Quillwork in twenty-nine Parts, porcupine quill embroidery on paper, 6 x 9 inches. The quills are folded back and forth making a zigzag pattern and the design is raised off of soft paper. The colours of the embroidery are warm reds pinks and browns.


ACCESS IS LOVE and LOVE IS COMPLICATED
Co-curated by Emily Cook and Sean Lee
and presented in partnership with Tangled Art+Disability

Opening October 3rd from 6–9 pm / On view October 3–December 8, 2019

CRITICAL DISTANCE and TANGLED ART+DISABILITY are pleased to present ACCESS IS LOVE and LOVE IS COMPLICATED, an exhibition and event series featuring Vanessa Dion Fletcher, Kat Germain, Wy Joung Kou, Dolleen Tisawii’ashii Manning, Andy Slater, Aislinn Thomas, and Adam Wolfond and Estée Klar. This program is co-curated by CDCC Education and Accessibility Coordinator, Emily Cook, and Tangled Art + Disability Director of Programming, Sean Lee and represents the next level in our ongoing series of programs providing opportunities for curators and artists to consider new and more collaborative aesthetic and conceptual approaches to accessibility within and beyond the gallery context.

ACCESS IS LOVE and LOVE IS COMPLICATED takes inspiration not only from disability activist Mia Mingus’ idea that accessibility should be understood as an act of love, but riffs on a pop cultural understanding that love is complicated—and thus, if we truly wish to move towards an accessible future then we must embrace the frictions of it. A lived experience that is often as political as it is relational, disability is a springboard from which access is entangled in the political alterities of our bodies; how they move, navigate and shape the world.

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Day With(out) Art 2016: COMPULSIVE PRACTICE

Thursday, December 1, 2016 starting at 3pm

Critical Distance is pleased to support Day With(out) Art in partnership with Visual AIDS. As the Toronto host for a screening of COMPULSIVE PRACTICE, a 65-minute video compilation of compulsive, daily, and habitual practices by nine artists and activists who live with their cameras as a way to manage, reflect upon, and change how they are deeply affected by HIV/AIDS, CDCC joins 60 other international organizations and institutions in commemorating World AIDS Day. Continue reading

Critical Distance presents SLIPSTREAMS in the Cinesphere

3 screenings: 9/17, 9/19, and 9/20, 2016

Critical Distance is thrilled to present SLIPSTREAMS, an original 30-min program of moving image works. Responding to the site and festival context, SLIPSTREAMS brings together five artists (Morehshin Allahyari, Maria Flawia Litwin, Manuel Saiz, Marianna Milhorat and Terence Nance), whose works envisage the slippage of time between past and future, and how humans seek to transcend the present moment. Continue reading

Moving Images in Contemporary Culture

2015–16 Event Series

In Fall 2015, the Images Festival and TYPOLOGY launched Moving Images in Contemporary Culture, a new series of peer-led talks and workshops on the changes, challenges, and advances in curating and presenting the moving image. Continue reading