In partnership with Gallery 44, we are pleased to host this very special workshop exploring the intersections of parenthood and artistic practice.
Despite well-documented actions and attempts by individual artists and collectives over the past 60 years (and longer) to dismantle patriarchal attitudes toward mothers/caregivers in the arts, little has changed with regard to expectations and pressures on art-working people who parent. Although attention to these issues seems to be increasing, the arts sector still functions on the assumption that everyone participating has unlimited time, money, resources and abilities to devote to the arts world’s success. This assumption is obviously not true for many people, including mothers/caregivers. The answer, when combined with the demands of daily caregiving, is often a catch-22: burnout or dropout.
In this workshop participants will be presented with a brief overview of the mother-artist struggle through (art) history; focus on a few specific case studies to examine how others have negotiated these struggles in work and life; engage in writing and discussion regarding art-related resources, strategies and solidarities; and explore the possibility of launching an ongoing group.
This workshop is open to mothers/parents/
3-hour workshop: $20 ($15 for G44 members). Space is limited, so pre-registration is required. Please contact Gallery 44 at 416-979-3941 to inquire/register.
NOTE: Limited free child care may be available courtesy of Critical Distance. Please DM/email us at rsvp (at) criticaldistance (dot) ca to inquire. Child care spots are limited, so advanced sign up is required.
Shani K Parsons is an independent curator, designer, and founding director of Critical Distance Centre for Curators, a not-for-profit initiative and space for curatorial practice and inquiry. She has two sons, Jasper (11) and Jonas (4), who make for charming, if somewhat unreliable, gallery attendants-in-training.
Leah Sandals is managing editor, online, at Canadian Art. Prior to working full-time at Canada’s most widely read art magazine, she also freelanced about art for the National Post, Toronto Star, Globe and Mail, NOW and other outlets. She is mother to Zadie, a toddler with a taste for pasta, Duplo and high-pitched shrieks/noise art.
image: Lu Heintz, I LOVE YOU (still from video), 2014