Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability.
Saturday, June 23 from 2-4 pm
Opening Reception & Exhibition Walkthrough with the Curators
Please join us in the gallery (Suite 302 at Artscape Youngplace) for the opening of the exhibition. Refreshments will be served, and all are welcome.
On view: June 23-August 5, 2018 at Critical Distance:
180 Shaw Street, Suite 302 at Artscape Youngplace, M6J 2W5
Admission is always free; building and gallery are fully accessible.
Gallery hours through August 5th:
Wednesday–Sunday from 12–5 pm
Also on view beyond the gallery:
After Rendering on View (Betty Rowland meets Angela Aames), May 27, 2017.
Billboard on Shaw Street by Nadège Grebmeier Forget
image: Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames), 2017. Performed on May 27, 2017, as part of the installation Walls of Wind: The mirroring and rendering which was created in the context of the group exhibition I’ve Only Known My Own curated by Nicole Burisch and presented from April 21 to June 10, 2017, at OPTICA, Montréal. Photo by Paul Litherland.