Opening Sunday: Precious Commodity | Eunice Luk, Ella Dawn McGeough, Juan Ortiz-Apuy, and Biliana Velkova, curated by Alison Cooley

Critical Distance is pleased to present Precious Commodity, a group exhibition of recent 
works by Eunice LukElla Dawn McGeoughJuan Ortiz-Apuy, and Biliana Velkova, curated by 
Alison Cooley.

Articulating a tension between objects and their ways of being—their forms, their significance, 
their social and economic circulation—Precious Commodity brings together artworks that 
examine the complicated sweetness of things. Unanchoring objects from their exchange 
within capitalism, the artists in the exhibition resignify them as vessels for fantasy, desire, 
and alternate possibility. Reflecting on the nature of a world populated by things with 
definitive practical uses and monetary values, each artist playfully contends with form, 
usurping existing representations in the service of building new meanings. Ultimately, 
the exhibition asks how we come to identify with the world of stuff—how we negotiate the 
fraught ethics of consumerism, how we arrive at and move beyond “sentimental value,” and 
how we understand the lives of things often considered inanimate. Together, the artists in 
Precious Commodity look to objects not as static, fixed entities, but as tools for thinking with.

Exhibition on view March 5–April 9, 2017
Please join us for an opening reception with the curator on Sunday, March 5th from 2–4 pm.

Refreshments will be served and all are welcome.

Critical Distance Centre for Curators (CDCC)
Suite 302, Artscape Youngplace, 180 Shaw Street, Toronto, ON M6J 2W5
See Google map of location

About the Artists

Eunice Luk is currently based in Yokohama, Japan. She has recently exhibited at The Embassy of Canada Prince Takamado Gallery and VACANT (both in Tokyo), Swiss Institute and Printed Matter (both in NY), The Walter Phillips Gallery (Banff) and Art Metropole (Toronto). Luk also publishes artist books and multiples under the imprint, Slow Editions, which has published work by Hanna Hur, Vanessa Maltese, Alicia Nauta, Masanao Hirayama, Sophy Naess and Katie Lyle. Slow Editions regularly exhibits at art book fairs in New York, Los Angeles and Tokyo.

Ella Dawn McGeough holds an MFA from the University of Guelph and a BFA from the University of British Columbia. She has exhibited across Canada and internationally, including in Finland, Beijing and New York, and participated in residencies in Peru and Norway. Among other projects, McGeough is a co-founder of moire.ca, producer of online contemporary arts publications, and Friends of Ogden Park, a Toronto-based artist collective whose purpose is to organize games and activities that function as forms of research.

Juan Ortiz-Apuy was born in Costa Rica and has lived and worked in Montreal since 2003. He holds a BFA from Concordia University, a Postgraduate Diploma from the Glasgow School of Art, and an MFA from NSCAD in Halifax. Recent exhibitions include Gallery 44, Museum London, galerie antoine ertaskiran, and the Quebec City Biennial: Manif d’Art 7. Residencies include Plug In Institute of Contemporary Art, the Atlantic Centre for the Arts, and the Vermont Studio Center.

Biliana Velkova is a Vancouver-based artist whose practice incorporates photography, performance and installation to explore issues of consumerist culture, diaspora and social identity. Velkova earned an MFA from the University of Saskatchewan and a BFA from Concordia University. She is currently the Arts Coordinator for the City of New Westminster, and prior to that she was Executive Director of PAVED Arts in Saskatoon.

About the Curator

Alison Cooley is a critic, curator and educator based in Toronto, Ontario. Her research deals with the 
intersection of natural history and visual culture, socially engaged artistic practice, and experiential and 
interpretative dimensions of art criticism. She is the 2014 recipient of the Middlebrook Prize for Young 
Canadian Curators, and her work has been published in Canadian Art, C Magazine, FUSE, Blackflash and 
Magenta, among others. She is currently the Blackwood Gallery’s Curatorial Assistant and Collections Archivist.

image: Biliana Velkova, Untitled Spruce Tree, fluorescent light tubes, 2014

Leave a Reply

Your email address will not be published. Required fields are marked *