Registry:Keywords:virtual alphabetical by last name

Morehshin Allahyari Artist

Morehshin Allahyari is a new media artist, activist, educator, and occasional curator. She was born and raised in Iran and moved to the United States in 2007. Her work extensively deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects; a poetic mean to document the personal and collective lives we live and our struggles as humans in the 21st century. Continue reading

Last Update:April 7, 2018

Pansee Atta Artist, Curator

Pansee Atta is an Egyptian/Canadian artist who lives and works on unceded Anishnaabe territory in Ottawa, Ontario. Using new media such as animation, 3d printing, laser cutting, and virtual/augmented reality, her practice explores issues of representation, migration, authenticity, and decolonization. Her recent work has sought to reappropriate Orientalist art to imagine strange, monstrous, and excessive bodies, as well as intervening upon images of artifacts around which campaigns for repatriation have been waged as a means of imagining the decolonization of the museum.

Last Update:August 7, 2019

Simon M Benedict Artist

Using pre-existing audiovisual material to create new narratives, Simon M Benedict playfully explores the myths and conventions of artistic identity in fine and popular art realms. Benedict recently completed an MFA at the University of Guelph (2016) and also holds a BFA from Concordia University (2011). His work has been exhibited in Canada, the United States and France. He currently lives and works in Guelph. Continue reading

Last Update:April 7, 2018

Mediolus corona Artist

Mediolus corona are a genus of arcellacea, or testate (shell-producing) amoebas. They are unicellular organisms that inhabit the soil and humus of freshwater and terrestrial bodies, from the poles to the tropics. They are distinguished by shells bearing a variable number of spiked hollow spines, as well as a tooth-like, crenulated (finely notched or scalloped) aperture. Carleton University’s Earth Sciences laboratory of Professor Timothy Patterson identified the genus Mediolus corona in 2014. Continue reading

Last Update:November 7, 2016

Adrienne Crossman, Queer Still Life, Part I (still), 2016, single channel video, 1min 28 sec loop.

Adrienne Crossman Artist

Adrienne Crossman is an artist and curator working and living in Windsor, Ontario. They hold an MFA in Visual Art from the University of Windsor and a BFA in Integrated Media with a Minor in Digital and Media Studies from OCAD University. They have completed residencies in Syracuse, NY, Montréal, Windsor, and Artscape Gibraltar Point on the Toronto Islands. Their practice involves the exploration of non-normative and non-binary objects, characters and spaces, with a specific interest in queer potentialities within the non-human. Continue reading

Last Update:September 13, 2018

Jeannette Ehlers Artist

Jeannette Ehlers’s work is characterized by its experimental nature. Often using image manipulation in her photographic and video-based works, she explores identity and meaning within these changeable terms, in both subtle and immediate ways. Inspired by her own Danish/Caribbean background, she has created cinematic universes that delve into ethnicity and identity, conveying imaginative stories in a visual language that is sharp yet engaging. Her works revolve around big questions and difficult issues, such as Denmark’s role as a slave trading nation, an aspect of Danish cultural heritage that is often glossed over in the country’s historiography. Continue reading

Last Update:May 5, 2018

Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames). Performed on May 27th 2017 as part of the installation Walls of Wind: The mirroring and rendering. Created in the context of the group exhibition I've Only Known My Own curated by Nicole Burisch and presented from April 21st to June 10th 2017 at OPTICA, Montréal. Photo: Paul Litherland.

Nadège Grebmeier Forget Artist

Engaged in Montreal’s visual and live arts community since 2007, performance artist Nadège Grebmeier Forget embraces interdisciplinarity and curation in her practice. She is the first daughter of a runner-up 1960’s California Beauty Queen and has, among other things: enacted works for Karl Lemieux (The Seven Last Words, 2018), Teresa Margolles (La Promesa, 2017), Dana Michel (Balls, 2016), Olivia Boudreau (Standing Bodies, Lying Bodies, 2014), Christiof Migone (Hite Parade, 2008); collaborated with Henrike Iglesias (Sophiensale/OFFTA, 2016), PME-ART (Festival actOral/Leonard & Bina Ellen Gallery, 2014) in addition to participating in numerous events, festivals, panels, residencies and exhibitions in Canada (Québec, Ontario, Alberta, Newfoundland, PEI), the USA (Texas) and Europe (France, Germany, Romania). Continue reading

Last Update:September 13, 2018

Jens Haaning Artist

Jens Haaning was born in 1965 in Copenhagen, Denmark, where he continues to live and work. Haaning’s practice engages with the politics of distribution and visibility that govern social behavior and safeguard class divisions. Through a calculated process of exchange, Haaning’s works bring to light the economies and forms of co-existence that result from the circulation of goods and the migration of peoples.

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Last Update:May 5, 2018

For every one that flees, there are many more who chase, 2015, notebook. 8.5 x 11 in.

Maxwell Hyett Artist

Maxwell Hyett is a Toronto-based interdisciplinary artist. His work explores issues of meaning, simultaneity, and the relationship between language and reality. These issues emerge primarily as a concern with information and its reception: how is information made; where do we keep it; how do we retrieve it; and how does it translate through these processes? Maxwell develops these ideas by creating collisions between synonyms and related terms to question the unavoidable connections we make between symbols and learned meaning. His recent work uses relief sculpture and laser cutting techniques to explore these ideas. Continue reading

Last Update:December 24, 2017

Lucy Gunning, Climbing Around My Room, 1993, a performance included by Miller in his 2013 curatorial project, Artists' Walks: The Persistence of Peripateticism

Earl Miller Curator

Earl Miller is an independent curator and art writer based in Toronto. He has curated exhibitions across Canada in public galleries and institutions such as the Doris McCarthy Gallery, the Yukon Art Centre, the Tree Museum, and the Art Gallery of York University. He has written catalogue essays for galleries and institutions including the National Museum of Romania, the Art Gallery of Hamilton, and Le Crédac: Centre d’Art Contemporain d’Ivry. His essays have also appeared in books, and he has contributed to numerous visual arts periodicals including Art in America, Canadian Art, and Flash Art. He is a member of the International Association of Art Critics, through which he presented a paper at the AICA International Congress in Seoul, South Korea, in 2014. Continue reading

Last Update:May 5, 2018

Astarte Rowe Curator

Astarte Rowe is an independent scholar and curator currently based in Toronto. She earned her doctorate in Art History from the University of Melbourne, with a nomination for the Chancellor’s Prize. She has presented her research internationally, and has written for peer-reviewed journals on such subjects as Photoshop and Mannerism; anamorphosis and contemporary Indigenous art; the Lucretian simulacrum and Albert Namatjira; desertification and Australian Aboriginal art discourse; and William Palmer and Newfoundland Regionalism. She curated The Amoebic Workshop in collaboration with the Patterson Research Group from Carleton University. Continue reading

Last Update:April 7, 2018