CDCC is pleased to present The Path, The Divide, a solo exhibition of recent works by Canadian artist Brynn Higgins-Stirrup, curated by Oana Tanase.
Fascinated by the ways in which we confront and reconcile intuitive inquiry with organized thought and form, Higgins-Stirrup has developed a distinctive visual language and practice that revolves around learning systems, geometry, mapping, and writing. Seducing the viewer through technical exactitude and material subtlety, her artworks speak of the space that lies between knowledge and truth, information and meaning.
For this exhibition, curator Oana Tanase has selected a series of works on paper and a mixed media installation that reveal how Higgins-Stirrup incorporates traditional elements and makes use of written language in her art practice. Playing with notions of cognitive processes, such as contemplation and unlearning, The Path, The Divide challenges visitors to an exercise in stationary movement.
Exhibition on view January 19–February 19, 2017
Join us for an opening reception and edition launch with curator and artist on Thursday, January 19 from 6–10 pm. We’ll also be celebrating the new Billboard on Shaw featuring artwork by Ruth Adler, produced by Critical Distance with generous support from Artscape Youngplace. And, our openings coincide with Koffler Gallery’s reception for their Winter exhibition featuring Leopold Plotek on the first floor. Come out for an art-filled evening on Shaw Street!
Critical Distance Centre for Curators (CDCC)
Suite 302, Artscape Youngplace, 180 Shaw Street, Toronto, ON M6J 2W5
See Google map of location
About the Artist
Brynn Higgins-Stirrup received a BFA Honors at Queen’s University in 2013 and studied at Monash University in Australia in 2012. She is currently an MFA candidate in the Penny W Stamps School of Art and Design at the University of Michigan. She has exhibited across Canada, the United States and Europe. In 2016 Higgins-Stirrup was awarded an emerging visual artist grant by the Ontario Arts Council and her artworks have been presented at DNA Artspace (London, Ontario), Truck Contemporary (Calgary, Alberta), Transmitter Gallery (Brooklyn, New York), and the international art exhibition The Lesson of Nature, during Bucharest Art Week (Romania).
About the Curator
Oana Tanase is a Toronto-based independent curator and visual arts researcher. She recently completed a PhD on documentary practices in contemporary art.
image: Exercise in Stationary Movement: To Not Touch but To Think about Touching (detail), 2016